A LIVING PUBLICATION · David Guez

Manifesto.

Dialogz is an initiative by David Guez, an artist and author whose work began with the arrival of the Web and the conception of a particular project: Le Livre des liens — The Book of Links.

From the 1990s onward, it became important to understand what art might do with the immense revolution of the Internet and what new practices could emerge from it, both artistically and socially.

Thousands of questions, intuitions and reflections followed, together with the desire to produce objects and matrices within the field of art — perhaps the only field capable of welcoming and integrating these strange forms that were still coming into being.

Above all, there was a desire to invent new forms of encounter and exchange: to create living, shifting collectives and platforms; to imagine new ways of engaging with time, individual and collective memory, the media, radical representations and the utopias of a world that had become hyperconnected.

Thirty years later, we find ourselves facing contemporary artificial intelligences and one immense question: where are we going?

Alone or together, with or without them, through refusal or submission, through thoughtful integration or in a wild, uncontrolled manner — all the way to our irreversible disappearance as human beings?

Dialogz takes up the principle of Le Livre des liens: creating dialogues between people, disciplines, works, technologies and collective imaginaries. But beyond the prompt, it also attempts to enter into dialogue with these different intelligences, artificial yet entirely real.

Dialogz is a kind of multiversal logbook with a minimal objective: to release everything that once slowed down or obstructed creation; to multiply proposals, theories and outlandish hypotheses; to bring previously separate fields into contact; and to venture further into radicality.

To be able, at last, to begin with an image, an intuition or a detail encountered in a book, a film, a poem or a simple glance, and immeasurably expand the reach of our imagination.

And who knows?

We remain — and we will remain — fragile, mortal, anxious, in love and, in that respect, different.

Welcome to Dialogz.

David Guez

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My Crime Is Curiosity
23 September 2026By David Guez

My Crime Is Curiosity

From The Mentor’s manifesto to McKenzie Wark’s, I trace a culture that turned technical curiosity into counter-power. For me, Teleweb and tv-art were attempts to hack media distribution. With AI, I now propose a machine that maps the rules surrounding a problem and opens ways to transform them.

THE DIALOGZ ARCHIVE

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The Language That Passes Through Us 01

25 September 2026 · DAVID GUEZ

The Language That Passes Through Us

…constantly interacting with it, we develop abilities we do not yet know the form or price of? An image from Arrival shows Louise Banks facing heptapod writing: between her body and the sign, language becomes visible as an experience of transformation. Language as a milieu In my…

Model Collapse, or How AI Is Pushing the Image towards Disappearance 02

24 September 2026 · DAVID GUEZ

Model Collapse, or How AI Is Pushing the Image towards Disappearance

…es disappear, diversity contracts and the model’s representation of the world grows poorer. The image does not literally vanish: what may erode is the variety of examples a model has learned to represent. The outcome depends on the training protocol, data selection and how much…

My Crime Is Curiosity 03

23 September 2026 · DAVID GUEZ

My Crime Is Curiosity

…imply someone entering a computer. A hacker produces a new abstraction: code, but also a formula, image, concept, protocol or collective form of life. Wark calls the class that owns the channels and stores of information, and captures the value of such inventions, the “vectoral…

AI Predictions 2027 04

22 September 2026 · DAVID GUEZ

AI Predictions 2027

…PROPHECY 72%ORACLE 54 · Culture & society · 2027An important artwork sold in 2027 is neither an image nor an object, but an AI protocol and its conditions of execution.ORACULARITY 53% · SELF-FULFILLING PROPHECY 79%ORACLE 55 · Culture & society · 2027A major European museum r…

From the Game of Life to Infinite Worlds 05

21 September 2026 · DAVID GUEZ

From the Game of Life to Infinite Worlds

…les. Cellular automata, grammars, noise, evolutionary search and machine learning compose less an image than a system of constraints. For me, the Game of Life is the stripped-down prototype of this idea: a world is not just scenery; it is a machine for consequences. Fractals, per…

Whole Earth Catalogue: The Heterodoxy of Knowledge 06

20 September 2026 · DAVID GUEZ

Whole Earth Catalogue: The Heterodoxy of Knowledge

…proposed searching for infrared signatures of civilisations exploiting their stars’ energy. An image of a collector swarm represents a radical shift of scale. The collector swarm on the cover opens that horizon: after the whole Earth, the star as the territory of a technical o…

Before the I_mage 07

18 September 2026 · DAVID GUEZ

Before the I_mage

…n motion: every idea is expected to end in something we can look at, hear or recount. A beautiful image can leave untouched the rules that made it possible. I want to turn towards those rules. A work might be a relationship between elements, an instruction, a fictional equation,…

Zombie, the Fly 08

17 September 2026 · DAVID GUEZ

Zombie, the Fly

…ld of Reality I propose the Threshold of Reality for the moment when a simulation ceases to be an image and enters the world’s causal chain. It is no longer merely a model we observe: its decisions produce effects, those effects alter its environment, and the environment answer…

No Moore AI 09

16 September 2026 · DAVID GUEZ

No Moore AI

…ive gestures. It transforms the environment in which works appear. “Slop” is not simply a bad image: it is attention polluted by quantity, a selective advantage given to whatever is fast, recognisable, repeatable and cheap. But no curve is sovereign. Technical selection has s…

MAIO: Can a Machine Infer an Artwork? 10

15 September 2026 · DAVID GUEZ

MAIO: Can a Machine Infer an Artwork?

Since generative artificial intelligence became capable of producing a convincing image in a few seconds, one question has returned insistently: can it make art? I believe the question is poorly framed. An image may be seductive, strange and technically impressive while remaining…

Dialogz, Manifesto for a Living Publication 11

11 September 2026 · DAVID GUEZ

Dialogz, Manifesto for a Living Publication

…te fields into contact; to venture further into radicality. To be able, at last, to begin with an image, an intuition or a detail discovered in a book, a film, a poem or a simple glance, and immeasurably expand the reach of our imagination.Paper Hard Drive — La Jetée: transfer…

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