A LIVING PUBLICATION · David Guez

Manifesto.

Dialogz is an initiative by David Guez, an artist and author whose work began with the arrival of the Web and the conception of a particular project: Le Livre des liens — The Book of Links.

From the 1990s onward, it became important to understand what art might do with the immense revolution of the Internet and what new practices could emerge from it, both artistically and socially.

Thousands of questions, intuitions and reflections followed, together with the desire to produce objects and matrices within the field of art — perhaps the only field capable of welcoming and integrating these strange forms that were still coming into being.

Above all, there was a desire to invent new forms of encounter and exchange: to create living, shifting collectives and platforms; to imagine new ways of engaging with time, individual and collective memory, the media, radical representations and the utopias of a world that had become hyperconnected.

Thirty years later, we find ourselves facing contemporary artificial intelligences and one immense question: where are we going?

Alone or together, with or without them, through refusal or submission, through thoughtful integration or in a wild, uncontrolled manner — all the way to our irreversible disappearance as human beings?

Dialogz takes up the principle of Le Livre des liens: creating dialogues between people, disciplines, works, technologies and collective imaginaries. But beyond the prompt, it also attempts to enter into dialogue with these different intelligences, artificial yet entirely real.

Dialogz is a kind of multiversal logbook with a minimal objective: to release everything that once slowed down or obstructed creation; to multiply proposals, theories and outlandish hypotheses; to bring previously separate fields into contact; and to venture further into radicality.

To be able, at last, to begin with an image, an intuition or a detail encountered in a book, a film, a poem or a simple glance, and immeasurably expand the reach of our imagination.

And who knows?

We remain — and we will remain — fragile, mortal, anxious, in love and, in that respect, different.

Welcome to Dialogz.

David Guez

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My Crime Is Curiosity
23 September 2026By David Guez

My Crime Is Curiosity

From The Mentor’s manifesto to McKenzie Wark’s, I trace a culture that turned technical curiosity into counter-power. For me, Teleweb and tv-art were attempts to hack media distribution. With AI, I now propose a machine that maps the rules surrounding a problem and opens ways to transform them.

THE DIALOGZ ARCHIVE

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10 exact result(s) for « language »

The Language That Passes Through Us 01

25 September 2026 · DAVID GUEZ

The Language That Passes Through Us

A language that changes the one who receives it In Arrival, Louise Banks does not learn the heptapod language by adding vocabulary to what she already knows. As she deciphers their signs, something shifts within her. Images emerge, at first resembling memories or dreams. Their pl…

Model Collapse, or How AI Is Pushing the Image towards Disappearance 02

24 September 2026 · DAVID GUEZ

Model Collapse, or How AI Is Pushing the Image towards Disappearance

…stem that takes its own outputs as material for its next state. It appears in games, mathematics, language, music, biology, art and economics. A loop can generate new forms and meanings; it can also propagate a flaw or thin out what it reuses. Model collapse makes this second pos…

My Crime Is Curiosity 03

23 September 2026 · DAVID GUEZ

My Crime Is Curiosity

…ses it and profits from it? That is why the manifesto concerns me as an artist. A work can hack a language, an institution or a distribution chain without touching a line of code. Teleweb and tv-art: rerouting the channel With Teleweb.org and tv-art.net around the turn of the mil…

AI Predictions 2027 04

22 September 2026 · DAVID GUEZ

AI Predictions 2027

…nse Almost three years later, the experiment seems less peripheral than prophetic. Autoregressive language models learn by predicting the next fragment of text. Writing, translation, code, dialogue and forms of reasoning emerge from that operation repeated on a gigantic scale.…

From the Game of Life to Infinite Worlds 05

21 September 2026 · DAVID GUEZ

From the Game of Life to Infinite Worlds

…ne intelligence. They are three laboratories for thinking about matter, learning and environment. Language as a new cell The next Game of Life might no longer have alive or dead cells, but cells that speak. Teams are already studying communication protocols emerging between agent…

Whole Earth Catalogue: The Heterodoxy of Knowledge 06

20 September 2026 · DAVID GUEZ

Whole Earth Catalogue: The Heterodoxy of Knowledge

…pretation and a responsibility. Knowledge becomes a relationship. It circulates by changing form, language, rhythm and context; it stays alive because somebody takes it up again. The connection with the Whole Earth Catalog is profound. Brand sought to put tools and resources with…

Before the I_mage 07

18 September 2026 · DAVID GUEZ

Before the I_mage

…one of the operators of the intuition itself, before it is flattened into an image. The force of language Lawrence Weiner is an essential guide. His propositions evoke matter, displacement or relationship without requiring the corresponding object to be built. Sculpture also tak…

No Moore AI 08

16 September 2026 · DAVID GUEZ

No Moore AI

Yesterday, 14 September 2026, the official language of artificial intelligence cracked. Dario Amodei of Anthropic, Sam Altman of OpenAI, Demis Hassabis of Google DeepMind and Elon Musk of xAI—four leaders who helped impose the race as our only horizon—converged on the same fo…

MAIO: Can a Machine Infer an Artwork? 09

15 September 2026 · DAVID GUEZ

MAIO: Can a Machine Infer an Artwork?

…e idea immediately appears exhibition-ready. That is its first danger. By anticipating curatorial language, venue and price, the machine shows how quickly a critique of precarity can be converted into desirable merchandise. The second scenario, The Museum of Missing Evidence, ima…

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