A LIVING PUBLICATION · David Guez

Manifesto.

Dialogz is an initiative by David Guez, an artist and author whose work began with the arrival of the Web and the conception of a particular project: Le Livre des liens — The Book of Links.

From the 1990s onward, it became important to understand what art might do with the immense revolution of the Internet and what new practices could emerge from it, both artistically and socially.

Thousands of questions, intuitions and reflections followed, together with the desire to produce objects and matrices within the field of art — perhaps the only field capable of welcoming and integrating these strange forms that were still coming into being.

Above all, there was a desire to invent new forms of encounter and exchange: to create living, shifting collectives and platforms; to imagine new ways of engaging with time, individual and collective memory, the media, radical representations and the utopias of a world that had become hyperconnected.

Thirty years later, we find ourselves facing contemporary artificial intelligences and one immense question: where are we going?

Alone or together, with or without them, through refusal or submission, through thoughtful integration or in a wild, uncontrolled manner — all the way to our irreversible disappearance as human beings?

Dialogz takes up the principle of Le Livre des liens: creating dialogues between people, disciplines, works, technologies and collective imaginaries. But beyond the prompt, it also attempts to enter into dialogue with these different intelligences, artificial yet entirely real.

Dialogz is a kind of multiversal logbook with a minimal objective: to release everything that once slowed down or obstructed creation; to multiply proposals, theories and outlandish hypotheses; to bring previously separate fields into contact; and to venture further into radicality.

To be able, at last, to begin with an image, an intuition or a detail encountered in a book, a film, a poem or a simple glance, and immeasurably expand the reach of our imagination.

And who knows?

We remain — and we will remain — fragile, mortal, anxious, in love and, in that respect, different.

Welcome to Dialogz.

David Guez

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My Crime Is Curiosity
23 September 2026By David Guez

My Crime Is Curiosity

From The Mentor’s manifesto to McKenzie Wark’s, I trace a culture that turned technical curiosity into counter-power. For me, Teleweb and tv-art were attempts to hack media distribution. With AI, I now propose a machine that maps the rules surrounding a problem and opens ways to transform them.

THE DIALOGZ ARCHIVE

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6 exact result(s) for « prediction »

Model Collapse, or How AI Is Pushing the Image towards Disappearance 01

24 September 2026 · DAVID GUEZ

Model Collapse, or How AI Is Pushing the Image towards Disappearance

…may take the place of the world it claims to describe.This returns me to a question in my work on prediction: can a system projecting statistical patterns from the past still see reality if its archives are made of its own projections? We need provenance chains, diverse datasets…

AI Predictions 2027 02

22 September 2026 · DAVID GUEZ

AI Predictions 2027

…l models are engines, not cameras: once deployed, they change the markets they claim to describe. Prediction becomes prescription. From oracle to score At Delphi, the Pythia spoke from a sacred site. Pascal and Fermat turned chance into a mathematical problem. Laplace imagined an…

Zombie, the Fly 03

17 September 2026 · DAVID GUEZ

Zombie, the Fly

…cent of 164 experimentally tested sensorimotor predictions. Dead anatomy has become a functional prediction tool. Yet researchers supply a plausible dynamic through equations; they do not restart the one that died with the animal. We have the plan of the labyrinth, but not the f…

No Moore AI 04

16 September 2026 · DAVID GUEZ

No Moore AI

…aw. It is an extrapolation turned into an industrial roadmap: because it directed investment, the prediction helped produce the world it announced. Strictly speaking, there is no Moore’s law of artificial intelligence. A model’s capacities do not double according to one stabl…

MAIO: Can a Machine Infer an Artwork? 05

15 September 2026 · DAVID GUEZ

MAIO: Can a Machine Infer an Artwork?

…attempting to calculate what, in art, resists calculation. Its usefulness would not lie in exact prediction but in staging that failure. The more the machine explained the conditions in which a work might appear, the more clearly it would show what it can neither live nor guaran…

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