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19 result(s) for « art »
11 November 2026
A voice settles beside our own. It knows our sentences and recognises our hesitations. It reminds us of what we have forgotten, then suggests what we might have thought. It arrives through glasses, through headphones, through the objects we carry. It accompanies our movements an…
13 October 2026
…4 October 2026, from 3 to 4 pm, a round table will accompany the launch of LABIAL — Literature, art and artificial intelligence, the magazine I am creating at Éditions L, with contributions from some of its authors. LABIAL welcomes poems, narratives, essays, images, scores, fr…
7 October 2026
…ions L. LABIAL is a magazine for creation and experimentation at the meeting point of literature, art, and artificial intelligences. It invites writers, artists, and researchers to propose texts and hybrid forms: poems, stories, essays, dialogues, images, scores, fragments of cod…
5 October 2026
1. A magazine is a place, not simply a medium The magazines that accompanied net.art and new media art did more than report on works. They gave those works places to appear, people to speak with, and sometimes a form. A mailing list could host an argument or a performance; a webs…
3 October 2026
Nearly twenty years ago, I called Hypermoi the part of ourselves deposited on the network: texts, images, opinions, desires, fragments of an identity that keeps circulating after its author is gone. The question was not only what the internet preserved. It was what those pieces…
2 October 2026
…resemblance or surprise? An instruction is not an understanding of everything it sets in motion. Art as a laboratory for myths Scientists measure; artists stage. Faced with the same power to create, art makes the vertigo of beginnings and makers perceptible. I see three attitude…
1 October 2026
…o an organized tradition of refusal. My answer was not always withdrawal. With Teleweb.org and TV-Art.net, I tried to change the routes of audiovisual distribution at the beginning of the Web: let everyone broadcast, not merely receive. Creating alternative media was already a wa…
30 September 2026
…eating the archives and forms on which AI systems feed? Extraction may exhaust its own source. In art, NFTs exposed another kind of confiscation: an image could become an accessory to a token valued mainly for its circulation and resale price. Wash trading has been documented in…
28 September 2026
…obot before noticing how fragile their human equivalents remain? Machines escaping their function Art has already loosened the bond between machine and service. In 1960 Jean Tinguely set Homage to New York in motion at MoMA: an enormous machine designed to build and destroy itsel…
26 September 2026
…this point the clock stops being, for me, merely a machine. It becomes an artwork.Who do we make art for?Art is usually made for a contemporary horizon: an exhibition in six months, a book next year, a video published today. Even when an artwork is intended to last, its first re…
25 September 2026
…, 2009 These works deal with precise learning. It is precisely what makes them interesting for an art/science hypothesis: they show an adult brain capable of reconfiguring in response to new requirements. They invite us to design augmentation as an experienced, lived, and repeate…
24 September 2026
…tputs as material for its next state. It appears in games, mathematics, language, music, biology, art and economics. A loop can generate new forms and meanings; it can also propagate a flaw or thin out what it reuses. Model collapse makes this second possibility visible at indust…
23 September 2026
…language, an institution or a distribution chain without touching a line of code. Teleweb and tv-art: rerouting the channel With Teleweb.org and tv-art.net around the turn of the millennium, I tried to bypass conventional audiovisual distribution. The question was not merely to…
21 September 2026
…not a promise of total autonomy: it is a responsibility of looking. When artists make rules live Art did not wait for generative models to take rules as material. Sol LeWitt and Vera Molnár had already shifted the artwork towards instruction and variation. Artists of artificial…
18 September 2026
…MAIO, I asked how a machine might start from an intuition and expose the forces that turn it into art: genealogies, institutions, criticism, markets, contradictions and blind spots. The machine does not predict art; it makes visible the system of relationships through which we de…
17 September 2026
…a radical performance-installation: allow a zombie fly to control all the security systems of an art centre for forty-eight hours. Cameras, motion detectors, vibration sensors, microphones, access controls and alarms become its sensory organs. Activity in its descending neurons…
16 September 2026
Yesterday, 14 September 2026, the official language of artificial intelligence cracked. Dario Amodei of Anthropic, Sam Altman of OpenAI, Demis Hassabis of Google DeepMind and Elon Musk of xAI—four leaders who helped impose the race as our only horizon—converged on the same formu…
15 September 2026
…producing a convincing image in a few seconds, one question has returned insistently: can it make art? I believe the question is poorly framed. An image may be seductive, strange and technically impressive while remaining without consequence. Conversely, a work may appear poor, a…
11 September 2026
…articular project: Le Livre des liens. From the 1990s onward, it was important to understand what art might achieve with the immense revolution that was the Internet and what new practices might emerge from it. Thousands of questions, intuitions and reflections followed, together…