A LIVING PUBLICATION · David Guez

DialoGZManifesto.

Dialogz is an initiative by David Guez, an artist and author whose work began with the arrival of the Web and the conception of a particular project: Le Livre des liens — The Book of Links.

From the 1990s onward, it became important to understand what art might do with the immense revolution of the Internet and what new practices could emerge from it, both artistically and socially.

Thousands of questions, intuitions and reflections followed, together with the desire to produce objects and matrices within the field of art — perhaps the only field capable of welcoming and integrating these strange forms that were still coming into being.

Above all, there was a desire to invent new forms of encounter and exchange: to create living, shifting collectives and platforms; to imagine new ways of engaging with time, individual and collective memory, the media, radical representations and the utopias of a world that had become hyperconnected.

Thirty years later, we find ourselves facing contemporary artificial intelligences and one immense question: where are we going?

Alone or together, with or without them, through refusal or submission, through thoughtful integration or in a wild, uncontrolled manner — all the way to our irreversible disappearance as human beings?

Dialogz takes up the principle of Le Livre des liens: creating dialogues between people, disciplines, works, technologies and collective imaginaries. But beyond the prompt, it also attempts to enter into dialogue with these different intelligences, artificial yet entirely real.

Dialogz is a kind of multiversal logbook with a minimal objective: to release everything that once slowed down or obstructed creation; to multiply proposals, theories and outlandish hypotheses; to bring previously separate fields into contact; and to venture further into radicality.

To be able, at last, to begin with an image, an intuition or a detail encountered in a book, a film, a poem or a simple glance, and immeasurably expand the reach of our imagination.

And who knows?

We remain — and we will remain — fragile, mortal, anxious, in love and, in that respect, different.

Welcome to Dialogz.

David Guez

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Dreams of Magazines

Dreams of Magazines

From Poptronics, which I helped conceive, to Neural and Right Click Save, a journey through magazines that shaped net.art and digital art. It leads to LABIAL, a magazine of literature, art and artificial intelligence at Éditions L, at labial.fr.

THE DIALOGZ ARCHIVE

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Dreams of Magazines

Dreams of Magazines

From Poptronics, which I helped conceive, to Neural and Right Click Save, a journey through magazines that shaped net.art and digital art. It leads to LABIAL, a magazine of literature, art and artificial intelligence at Éditions L, at labial.fr.

Hypermoi: Who Speaks After Me?

Hypermoi: Who Speaks After Me?

Nearly twenty years ago, I called Hypermoi the part of ourselves deposited on the network: texts, images, opinions, desires, fragments of an identity that keeps circulating after its author is gone. The question was not only what the internet preserved. It was what those pieces…

From Primordial Chaos to Artificial Mind

From Primordial Chaos to Artificial Mind

…resemblance or surprise? An instruction is not an understanding of everything it sets in motion. Art as a laboratory for myths Scientists measure; artists stage. Faced with the same power to create, art makes the vertigo of beginnings and makers perceptible. I see three attitude…

Luddism 3.0: Toward a Peer-to-Peer Collective Intelligence

Luddism 3.0: Toward a Peer-to-Peer Collective Intelligence

…o an organized tradition of refusal. My answer was not always withdrawal. With Teleweb.org and TV-Art.net, I tried to change the routes of audiovisual distribution at the beginning of the Web: let everyone broadcast, not merely receive. Creating alternative media was already a wa…

Commons & Co.

Commons & Co.

The Web was built by a multitude and enclosed by a few companies. From tactical media to Teleweb and TV-Art, I trace an artistic struggle over distribution and the rules of sharing. With AI, that struggle reaches a new front line: who owns, governs and profits from our collective memory?

The Begging Robot: Asimov’s Laws Inverted

The Begging Robot: Asimov’s Laws Inverted

…obot before noticing how fragile their human equivalents remain? Machines escaping their function Art has already loosened the bond between machine and service. In 1960 Jean Tinguely set Homage to New York in motion at MoMA: an enormous machine designed to build and destroy itsel…

The Future Arrives All at Once

The Future Arrives All at Once

…this point the clock stops being, for me, merely a machine. It becomes an artwork.Who do we make art for?Art is usually made for a contemporary horizon: an exhibition in six months, a book next year, a video published today. Even when an artwork is intended to last, its first re…

The Language That Passes Through Us

The Language That Passes Through Us

From Arrival to Levitation, an art-science hypothesis: AI as a relational milieu that reshapes how we think. Between plasticity, relational ontology and interligence, what future for our capacities can we still negotiate?

Model Collapse, or How AI Is Pushing the Image towards Disappearance

Model Collapse, or How AI Is Pushing the Image towards Disappearance

…tputs as material for its next state. It appears in games, mathematics, language, music, biology, art and economics. A loop can generate new forms and meanings; it can also propagate a flaw or thin out what it reuses. Model collapse makes this second possibility visible at indust…

My Crime Is Curiosity

My Crime Is Curiosity

From The Mentor’s manifesto to McKenzie Wark’s, I trace a culture that turned technical curiosity into counter-power. For me, Teleweb and tv-art were attempts to hack media distribution. With AI, I now propose a machine that maps the rules surrounding a problem and opens ways to transform them.

From the Game of Life to Infinite Worlds

From the Game of Life to Infinite Worlds

…not a promise of total autonomy: it is a responsibility of looking. When artists make rules live Art did not wait for generative models to take rules as material. Sol LeWitt and Vera Molnár had already shifted the artwork towards instruction and variation. Artists of artificial…

Before the I_mage

Before the I_mage

AI can produce images, videos, sounds and stories. But could it participate in art before representation, where rules, relationships and propositions take shape? From Lawrence Weiner and Sol LeWitt to MAIO and The Equation of Art, I explore a new form of conceptual art developed with AI. As a nod to Joseph Kosuth, I imagine a plural “fourth chair”: molecular, holographic, algorithmic, burning or defined through use.

Zombie, the Fly

Zombie, the Fly

A fruit-fly connectome becomes an actor in Doom, Minecraft or a robot. What are we setting in motion: a brain, an architecture or a zombie without memory? Connecting this experiment to my A.L.I. work on solipsism and simulated worlds, I propose the “Threshold of Reality”: the moment simulation enters the world’s causal chain. I then imagine a forty-eight-hour performance in which a zombie fly controls all security systems in an art centre and becomes a genuine “guard fly.”

No Moore AI

No Moore AI

Yesterday, 14 September 2026, the official language of artificial intelligence cracked. Dario Amodei of Anthropic, Sam Altman of OpenAI, Demis Hassabis of Google DeepMind and Elon Musk of xAI—four leaders who helped impose the race as our only horizon—converged on the same formu…

Dialogz, Manifesto for a Living Publication

Dialogz, Manifesto for a Living Publication

…articular project: Le Livre des liens. From the 1990s onward, it was important to understand what art might achieve with the immense revolution that was the Internet and what new practices might emerge from it. Thousands of questions, intuitions and reflections followed, together…

NEWSLETTER DAVID GUEZ · DIALOGZ

Newsletter David Guez - Dialogz

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